MICHAEL JACKSON29

Michael Jackson's doctor halted CPR on the dying pop star and delayed calling paramedics so he could collect drug vials at the scene, according to documents obtained by The Associated Press that shed new light on the singer's chaotic final moments.

The explosive allegation that Dr. Conrad Murray may have tried to hide evidence is likely to be a focus as prosecutors move ahead with their involuntary manslaughter case against him.

The account was given to investigators by Alberto Alvarez, Jackson's logistics director, who was summoned to the stricken star's side as he was dying on June 25. His statement and those from two other Jackson employees also obtained by the AP paint a grisly scene in Jackson's bedroom.

Alvarez told investigators that he rushed to Jackson's room and saw the star lying in his bed, an IV attached to his leg. Jackson's mouth was agape, eyes open and there was no sign of life. Murray worked frantically, at one point performing mouth-to-mouth resuscitation while Alvarez took over CPR.

Two of the star's children, Prince and Paris, came in the room and cried as they saw Murray trying to save their father. A nanny was called to usher them away and they were taken to wait outside in a vehicle.

The documents also detail an odd encounter with Murray after Jackson was declared dead at a nearby hospital. Murray insisted he needed to return to the mansion to get cream that Jackson had "so the world wouldn't find out about it," according to the statements, which provide no elaboration.

Murray's lawyer, Ed Chernoff, rejected the notion his client tried to hide drugs. He also noted Alvarez was interviewed twice by police and gave different accounts of what happened in Jackson's bedroom. During the first interview, Alvarez made no mention of being told to tidy away medicine vials.

"He didn't say any of those things, then two months later, all of a sudden, the doc is throwing bottles into the bag," Chernoff said. "Alvarez's statement is inconsistent with his previous statement. We will deal with that at trial."

Alvarez and the others who gave the statements, Jackson's personal assistant Michael Amir Williams and driver/bodyguard Faheem Muhammad, could be key witnesses should Murray go to trial. Except for the brief appearances by the nanny and the children, Alvarez and Muhammad were the only others in the room with Murray as he tried to save Jackson before paramedics arrived.

Alvarez's attorney, Carl Douglas, declined to be interviewed for this story.

Jackson, 50, hired Murray to be his personal physician as he prepared for a series of comeback performances in London. He was participating in strenuous rehearsals and Murray would routinely meet him at the star's home in the evening for treatments.

The Los Angeles coroner ruled Jackson's death a homicide caused by an overdose of the powerful anesthetic propofol and two other sedatives given to get the chronic insomniac to sleep. Propofol, a milky white liquid, is supposed to be administered only by anesthesia professionals in medical settings. Patients require constant monitoring because the drug depresses breathing and heart rate while lowering blood pressure, a potentially deadly combination.

Murray, 57, a cardiologist licensed in Nevada, California and Texas, has acknowledged briefly leaving Jackson's bedside the day he died but maintained from the outset that nothing he gave the singer should have killed him. It wasn't illegal for him to administer propofol, though whether he followed proper procedures while Jackson was under the influence is a key part of the case.

California Attorney General Jerry Brown's office has asked a court to suspend Murray's license pending the outcome of criminal proceedings against him.

Alvarez, Muhammad and Williams are all represented by Douglas and gave their statements separately on Aug. 31 at the lawyer's Beverly Hills office. None of the three has spoken publicly about the events of June 25.

Alvarez told police he arrived at Jackson's home around 10:20 a.m. He was awaiting instructions for the day in a security trailer outside Jackson's rented mansion when, at 12:17 p.m., his phone rang. It was Williams.

Williams told Alvarez that Murray had just called to say Jackson was in trouble. Alvarez rushed into the mansion and up the stairs to Jackson's room, where he saw Murray standing at the pop star's bedside, performing CPR with one hand, according to the statements.

Alvarez asked the doctor what had happened.

"He had a reaction, he had a bad reaction," Murray replied, according to Alvarez's statement.

Murray then grabbed a few vials with rubber tops and told Alvarez to put them in a bag, Alvarez told investigators. Alvarez picked up a plastic bag from the floor and Murray put the bottles inside, then Murray told Alvarez to put that plastic bag inside a brown canvas bag, according to the account.

Alvarez said Murray then told him to remove an IV bag from a stand and put it in a blue canvas bag. He did, and noticed the bag had a connector with a milky white substance in it. Alvarez didn't say what happened to the bags, nor did he identify what was in the vials.

Two days after Jackson's death, under several hours of questioning by police, Murray eventually directed them to a closet in Jackson's bedroom. In it, they found propofol and other sedatives in a bag.

On the day Jackson died, Murray waited until the bags were filled before telling Alvarez to call 911, according to Alvarez's statement.

"I need an ambulance as soon as possible," Alvarez told a dispatcher. "We have a gentleman here that needs help and he's not breathing."

The dispatcher told Alvarez to put Jackson on the floor.

At that moment, Muhammad rushed into the room and began helping with chest compressions while Murray attempted mouth-to-mouth resuscitation.

Murray told the men it was his first time performing CPR, Alvarez said, though Chernoff said Murray had administered CPR many times before.

Murray then placed a dark brown machine with wires onto Jackson's fingers, Alvarez said. Police later said they found a pulse oximeter at Jackson's home, a medical device that shows heart rate and the amount of oxygen in the blood.

By 12:27 p.m., paramedics arrived at the house. According to their report, Jackson was not breathing and had no pulse at 12:29 p.m. However, Murray stated he could feel a weak pulse in Jackson's upper thigh area, Alvarez and Muhammad said.

According to the paramedic report, emergency responders tried two rounds of resuscitation attempts and were ready to discontinue treatment, but Murray said he would take responsibility and insisted resuscitation be continued in the ambulance.

At 1:07 p.m., the singer was taken to Ronald Reagan UCLA Medical Center, where doctors attempted a range of resuscitation techniques. Jackson was pronounced dead at 2:26 p.m.

At the hospital, after the death had been called, Williams said he saw Murray crying.

Murray asked Williams if he or someone else could take him back to the mansion so he could pick up the cream, according to Williams' statement.

Williams said he didn't think it was a good idea for Murray to return to the house. He spoke to Muhammad and they agreed they wouldn't take Murray back. They concocted a story that police had taken all the keys to the vehicles as part of the investigation.

Murray said he would take a cab, and Williams said he saw him leave the hospital through a side door.By THOMAS WATKINS, Associated Press Writer
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MICHAEL JACKSON29

The man who spearheaded the record-breaking deal in which Michael Jackson's estate will get up to $250 million in the next seven years said Sony Music Entertainment bought a treasure trove of new Jackson music, some of it recorded "quite recently," some in collaboration with other artists.

John Branca, who negotiated the deal along with co-executor John McClain and team of attorneys, was clearly elated about the deal. He said in an interview with The Associated Press that this is only the first of more deals that will bring Jackson's music to his fans and introduce it to a world of potential new fans.

"The remarkable thing is to make the biggest deal in history in a market with declining record sales. It's a pretty big thing," Branca said. "It's a testament to Michael's incredible talent and his music. It's really an honour to be part of this."

He added that "there's more to come" but declined to elaborate. He also would not discuss the finances or specific details of the deal.

Branca is the lawyer who met the superstar singer when both were young men and is seen as the architect of Jackson's financial empire. They worked together for 30 years.

He and John McClain, a lifelong Jackson friend and music producer, are co-administrators of the Jackson estate. The estate has benefited from their deal to release the movie This is It compiled from footage of rehearsals for a series of concerts that was in preparation when Jackson died last June at age 50.

Branca said he is convinced that Jackson would be delighted with the results of their negotiations.

"John McClain said it best," Branca said. "He said that Michael probably wouldn't have wanted This is It released because he was such a perfectionist and it was rehearsal footage. But if he had seen that we could get $60 million for his mother and children and it became the biggest concert movie of all time, he would have said, 'Thank you very much.' "

He said he has not heard all of the 60 plus songs discovered by McClain but he said what he has heard is "classic Michael Jackson." Among the songs are two recordings that were never released that he made for charity with other stars. There are also songs he recorded for his famous albums that were never included in the final product.

"Michael had a tendency to over-record," Branca said. "He would record 20, 30, 40 songs for one album. These are the vintage songs."

The recent material was recorded within the last three years. The old and the new are likely to be combined on some of the albums to come, he said.

Among the songs in Jackson's vault is a collaboration with Paul Anka on a song called, "Love Never Felt So Good," which Branca described as "quite good."

Beyond the recorded material, he said Jackson left more songs that he composed but that don't have his voice on them. They would not have the same value, he said.

When he died, Jackson left recorded music including studio sessions from some of his most-popular albums and recently recorded songs made with the likes of Black Eyed Peas frontman will.i.am.

Branca noted that Jackson did not release a huge number of albums in his lifetime and his last one was nine years ago. He said the legacy of unreleased material is far more than what was left by Elvis Presley. He said Jackson's fan base is also larger, stretching around the globe.

"He is one of the most recognized figures in the world, along with Muhammad Ali," said Branca. He noted that two-thirds of record and movie ticket sales for This is It were outside the United States.

Under the deal officially announced Tuesday, Sony has guaranteed Jackson's estate $200 million for 10 projects over the next seven years. (The total includes last year’s soundtrack to This Is It.) If certain conditions are met, the payment could rise to $250 million.

Since Jackson's death, McClain has combed through boxes of tapes and recordings Jackson left behind. McClain and Branca each stand to make 5 cents on every new dollar of revenue brought into the estate.

Even if only half of the 60 songs discovered by McClain are commercially viable, that would be enough for two or three albums. And some songs could also be packaged with already-heard material. That likely wouldn't detract from a new album's value. It might even add to it, because fans have been flocking to known commodities in music.

For example, 14 remastered albums from The Beatles catalogue sold 13 million copies worldwide in the four months after they were released last September. Bob Seger's Greatest Hits, an album that came out in 1994, was the best-selling catalogue album of the last decade, with 9 million albums sold to date.

Jackson's own two-disc set that accompanied the concert rehearsal footage in This Is It has sold 5 million copies, and it had only one new song. That was the title song, which Jackson wrote with Anka around the time the Thriller album was becoming a blockbuster.

With the album selling for $10 to $14, the revenue generated from sales is already well beyond the tens of millions of dollars needed to cover the per-project guarantees Sony is promising.

"He always said his children would never have anything to worry about because he had volumes of songs to release," said Raymone Bain, who began representing Jackson during his child molestation trial in 2005, in an interview Tuesday.

Bain, who is also suing the estate for fees, said Jackson told her he had "thousands of recordings" that he wanted to aim at a youthful audience, and spent nights during the trial writing new tunes as therapy.

"He wanted to prove to a new demographic group that he was still a major player in the industry," she said. "That's why he added Akon and Fergie and will.i.am to the 25th anniversary recording of Thriller."

Releases from well-established artists have other advantages. An older fan base is more accustomed to buying whole albums than are younger fans familiar with free song-swapping online. A long sales history also makes it easier to evaluate what catalogues are worth.

"It's unusual for a deal like that not to make money for a distributor," said Lawrence Kenswil, an entertainment attorney at Loeb & Loeb in Los Angeles and former executive with Universal Music Group. "It's a safer bet than betting on the future of unknown artists."

Speculation on exactly what unreleased songs exist (and how good they are) has been rampant since the King of Pop's death. Many who collaborated with Jackson in his later years have discussed their work with him, including will.i.am and Akon, who is a Senegalese R&B singer.

Whatever the unreleased material comprises, the Sony deal suggested that repurposing Jackson material across several formats — from DVDs to video games — will be of particular importance.
Linda Deutsch and Ryan Nakashima The Associated Press
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The record-breaking deal in which Michael Jackson's estate will get up to $250 million in the next seven years probably isn't a huge gamble for the company that will pay the money out, Sony Music Entertainment.

Before he died last June at age 50, Jackson, a prolific songwriter, left dozens of unreleased recordings that are sure to be in high demand. Those include studio sessions from some of his best albums and recently recorded songs made with the likes of Black Eyed Peas frontman will.i.am.

Under a deal officially announced Tuesday, Sony has guaranteed Jackson's estate $200 million for 10 projects over the next seven years. One of them, a movie and album called "This Is It," was already completed. If certain conditions are met, the payment could rise to $250 million.

Since Jackson's death, estate co-administrator John McClain, a childhood friend and Jackson producer, has combed through boxes of tapes and recordings Jackson left behind. McClain and the other co-administrator, John Branca, who cut the Sony deal, each stand to make 5 percent on every new dollar of revenue brought into the estate.

McClain found about 60 songs in various forms that have never been released, according to people familiar with the songs, who spoke on condition of anonymity because what will be done with the material remains in flux.

Even if only half of them are commercially viable, that would be enough for two or three albums. And some songs could also be packaged with already-heard material. That likely wouldn't detract from a new album's value. It might even add to it, because fans have been flocking to known commodities in music.

For example, 14 remastered albums from The Beatles catalog sold 13 million copies worldwide in the four months after they were released last September. Bob Seger's "Greatest Hits," an album that came out in 1994, was the best-selling catalog album of the last decade, with 9 million albums sold to date.

Jackson's own two-disc set that accompanied the concert rehearsal footage in "This Is It" has sold 5 million copies, and it had only one new song. That was the title song, which Jackson wrote with Paul Anka around the time the "Thriller" album was becoming a smash hit.

With the album selling for $10 to $14, the revenue generated from sales is already well beyond the tens of millions of dollars needed to cover the per-project guarantees Sony is promising.

"He always said his children would never have anything to worry about because he had volumes of songs to release," said Raymone Bain, who began representing Jackson during his child molestation trial in 2005, in an interview Tuesday.

Bain, who is also suing the estate for fees, said Jackson told her he had "thousands of recordings" that he wanted to aim at a youthful audience, and spent nights during the trial writing new tunes as therapy.

"He wanted to prove to a new demographic group that he was still a major player in the industry," she said. "That's why he added Akon and Fergie and will.i.am to the 25th anniversary recording of `Thriller.'"

Releases from well-established artists have other advantages. An older fan base is more accustomed to buying whole albums than are younger fans familiar with free song-swapping online. A long sales history also makes it easier to evaluate what catalogs are worth.

"It's unusual for a deal like that not to make money for a distributor," said Lawrence Kenswil, an entertainment attorney at Loeb & Loeb in Los Angeles and former executive with Universal Music Group. "It's a safer bet than betting on the future of unknown artists."

Speculation on exactly what unreleased songs exist (and how good they are) has been rampant since the King of Pop's death. Many who collaborated with Jackson in his later years have discussed their work with him, including will.i.am and Akon, who is a Senegalese R&B singer.

Tommy Mottola, who from 1998 to 2003 was chairman and CEO of Sony Music, said last summer that Jackson's posthumous releases could outsell even those from Elvis Presley, whose voice has graced around 300 compilation albums since his death in 1977.

Several unreleased Jackson songs have leaked, though many of them are in dubious forms. A 24-second clip of the song "A Place With No Name" was on TMZ.com shortly after Jackson's death. A track Jackson recorded with Lenny Kravitz, "Another Day," also got out last year, though Kravitz said it wasn't a proper, finished version of the song.

Whatever the unreleased material comprises, the Sony deal suggested that repurposing Jackson material across several formats — from DVDs to video games — will be of particular importance.

Last week, Sony Music's Legacy Recordings, in partnership with Jimi Hendrix's estate, released a new album of Hendrix material nearly 40 years after his death. "Valleys of Neptune," which cobbled together unfinished recordings mostly from 1969, has received largely positive reviews.

But even that album, which follows many other posthumous releases from Hendrix, is just a part of a new legacy launch. The Experience Hendrix, which is led by Hendrix's stepsister Janie Hendrix and oversees his musical estate, also rereleased Hendrix's "Live at Woodstock" in Blu-ray and regular DVD and the three Jimi Hendrix Experience albums. There's also a Hendrix "Rock Band" video game in the works, as well as a larger anthology collection.

The Hendrix reboot could very well serve as a mere rehearsal for what Sony has in store for Jackson.

___

AP Entertainment Writers Jake Coyle in New York and Anthony McCartney in Los Angeles contributed to this report.
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